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After many years, Malin comes back a rich man. He sails the world to get more money to support his mother. Malin Kundang, in the beginning of the story, is a hard-working, obedient young man. There are some differences between the two stories. If you visit the beach, you can see a stone believed to be the cursed Malin Kundang because it is shaped like a person face-down on his knees begging for forgiveness.Īnother folktale from West Kalimantan called "Batu Menangis" ("The Crying Stone") has a story very similar to Malin Kundang, but no "crying stone" has ever been discovered in the area. Malin Kundang tells the story of an ungrateful son who is cursed into stone by his mother. The original "Malin Kundang" story is set at a specific location, the Air Manis Beach in Padang, West Sumatra. It was then screened on Malaysia’s TV3 in 2006-2007.
#MOST FOLKTALE EXAMPLES SERIES#
The series bagged the "Most Favorite Sinetron" award at the 2005 Panasonic Gobel Awards. There was an additional character named Ferdi, played by Dimaz Andrean, a boy trapped in a love triangle with Alya and Siska. Temat played Alya (Bawang Putih), the daughter of a rich, harmonious family, and Nia Ramadhani played Siska (Bawang Merah) whose mother is a poor widow. Bawang Merah and Bawang Putih became high-school teens.
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In 2005, it was made into an Indonesian soap opera ( sinetron) set in contemporary Indonesia.
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The story has been adapted many times into stage plays, movies and TV series. They bring home the big one (of course), but instead of jewelry, their large pumpkin is filled with snakes. Then they visit the old woman’s house and ask for a pumpkin. When she breaks open the pumpkin at home, she discovers the fruit is filled with jewelry.īawang Merah and their mother get jealous and want their own pumpkin filled with jewelery, so they go to the river and deliberately lose their scarves. Bawang Putih does as she's told, gets the scarf back and the old woman as a gift tells her to bring home one of her two pumpkins, a small or a large one.īawang Putih chooses the smaller pumpkin. The old woman says she will return the scarf if Bawang Putih cooks and cleans for her. One laundry day in the river, Bawang Putih loses a scarf, which is picked up by an old woman. Bawang Merah is a lazy, greedy girl spoiled by their mother while Bawang Putih is obedient, diligent and does all the chores without complaint. "Bawang Merah Bawang Putih" ("Shallot and Garlic") is a Cinderella-type story of good versus evil and very popular in Indonesia and Malaysia.īawang Merah and Bawang Putih are half-sisters who are polar opposites of each other. Finding a way to retell them should start with reading them. Let’s noq take a look at five of the most popular Indonesian folktales. In 2000, poet Toeti Heraty published a feminist reinterpretation of the Balinese tale "Calon Arang." The book of lyrical prose was titled "Calon Arang: Kisah Perempuan Korban Patriarki" ("Calon Arang: Tale of a Female Victim of Patriarchy"). There have been few efforts to reimagine these problematic tales for the modern readers.
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Veteran book editor Bambang Trimansyah also said in an opinion piece in Kedaulatan Rakyat that some local folktale themes are not suitable for young readers, including sex, sadism and gender bias. The unsavory part, Riris said, is that many of them tend to be sexist, brutal and celebrate female passivity.
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Toha-Sarumpaet, in an article called " Batu Permata Milik Ayahanda: Dongeng Tradisional Indonesia" ("Father's Diamonds: Indonesian Traditional Folktales") published in Jurnal Perempuan in 2007, local folktales generally display one or more of these four main themes: obedience, men’s wrath and women’s loyalty, envy and sibling rivalry, trickery and childishness. According to University of Indonesia's children's story expert Riris K.